Meet The Angry Box
It's not just a studio monitor; it's the lovechild of cutting-edge tech and a bad attitude that's daring enough to tell it to you as it is.
A True Point Source Studio Monitor With DSP & Mid-Focus Modes
An ultra-compact, super quick, linear reference cube.
Flat in phase and frequency response*, with an aggressively good sounding character that tells it to you as it is.
- Modes
- Full Range + Mid Focus
- Transducers
- 4.5" LF/HF
- Amplification
- 65W Class D
- Max SPL
- 102dB peak
- -3dB Bandwidth
- 90Hz – 12kHz
- -10dB Bandwidth
- 60Hz – 20kHz
- Flat Response
- ±1dB / ±10° 300Hz–12kHz*
- Directivity
- 110° conical below 4kHz
- Inputs
- Balanced XLR + TS Jack
- Enclosure
- Sealed
- Dimensions
- 14 × 14 × 14 cm
- Weight
- 2.5kg
- Mounting
- 3/8" mic stand thread
- Standby
- 0.5W
- Power
- 90–260V AC 50/60Hz
“The Angry Boxes have become a brilliant tool for me, being able to switch to them and easily identify the midrange issues I need to look at really helps me get to the end result quickly! An incredibly useful tool for any studio!”
— Romesh Dodangoda (Bring Me The Horizon, Motörhead)
“How does such an impressive sound come out of such a small speaker? I have tested them against speakers more than 10x their size, and they always hold their own!”
— Ian Hultquist (Passion Pit, The Walking Dead: Dead City)
Linear and Mid Focus Modes
The Analog Devices DSP integrated into every Angry Box doesn't just flatten the curve; it obliterates it, then shreds it up again for good measure. Switch between full-range clarity and mid-focused intensity with just a flick. All while our advanced speaker protection ensures your system delivers power and precision without compromising its longevity.
Unmatched Stereo Imaging
Hear imaging with pinpoint accuracy, instruments and vocals dance on a sound stage with precision. The Angry Box redefines what is possible in a small format studio monitor, offering an audio landscape where every sonic element finds its distinct place. It must be heard to be believed.
Fastest Studio Monitor in the West
Angry Box gives you the transient detail of a sealed enclosure and a single full range driver delivering clarity that's sharper than your ex's parting remarks. With the Angry Box; hear every detail of the transient, the tone of each note, and every imperfection in your recording. Vocals don't just float; they soar on reverb tails that'll give you goosebumps.
Partners In Crime
The Angry Box is designed to work seamlessly with the Really Mean Sub, creating a powerful and precise monitoring system that delivers an unparalleled listening experience. Together, they redefine what is possible in small studio monitoring, offering a sound punches well above their weight class.
A Travel Bag Built For Adventure
Built tough enough to handle your adventures while keeping your gear safe and secure. Stylish, durable, and unapologetically practical, it's the perfect mix of form and function, ready to take on the road ahead with you.
Most studio monitors are two-way designs, with a tweeter and a woofer at different positions. The Angry Box uses a single full-range driver in a sealed cube, so the sound comes from one point in space. Stereo imaging is more precise, time alignment is inherent, and every unit in an immersive rig behaves identically.
The Yamaha NS10 is discontinued, ageing, and costs more used than it did new. The Angry Box was designed with the same philosophy: sealed enclosure, fast transients, honest midrange, and a low end that rolls off where most playback systems do. Our real-world waterfall plots show a strikingly similar time-domain behaviour, without the passive driver, the separate amp, or the ear fatigue.
Most studio monitors are designed to sound good. The Angry Box is designed to tell the truth, particularly in the midrange, where vocals, guitars, and most mix decisions live. The mid-focus mode narrows the response to 90Hz–12kHz, isolating exactly the range the NS10 and Auratone have traded on for decades.
A Full Atmos Rig. Without The Six-Figure Build.
Point-source monitoring that scales from 5.1 surround to full 21.1.16 Dolby Atmos, small enough to mount anywhere, priced so a proper immersive studio is finally within reach.
Explore Immersive →
Head To HeadHow Does The Angry Box Stack Up?
An honest, spec-by-spec comparison against the monitors mixing engineers actually reach for: the Yamaha NS10, Auratone, Avantone MixCube, Genelec, Adam and KRK.
Compare Monitors →Reviewed In...
The Angry Boxes did a commendable job of rendering every one of my own reference tracks with a sense of accuracy and familiarity - Mike Senior
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